„Im Bau der Menschlichkeit“ is an open-ended title. It points to the provisional and the possible: the building site, the stage, and the playground all at once. At Galerie Tschudi Zurich, Martina Klein brings together two bodies of work that reinterpret the relationship between plane, color, and space: seven works on paper that read like precisely composed yet variable scores and floor-based cardboard constructions that tip from a plane into space, setting it in motion. Both bodies of work propose how perception comes about, not once and for all, but as the result of decisions. They are an invitation to think along, to look along, and to co-negotiate the object.