Counting
26 July – 27 September 2025
Zuoz
In her artistic practice, Andrea Büttner investigates the value systems and conventions that frame aesthetic experience and also explores the conditions of production, exhibition and reception of art. Engaging with themes such as shame and embarrassment, vulnerability, dignity and poverty, she opens spaces of reflection – for example about the mutual contingency of moments of revelation and concealment in the public presentation of works of art, the status of artisanship and the respective roles of artist and recipients.
Büttner’s work addresses subjective experience and confronts it with a dense web of art historical and cultural associations. She references traditional motifs of Christian iconography as well as contemporary discourses and recent art historical positions. For example, she engages intensively with Christian monastic culture and with Arte Povera, which she links through the concept of poverty.
Büttner’s work encompasses prints, drawings, painting and reverse glass painting, sculpture, textiles, installation, photography, video and performance – a remarkable variety of media and materials. The juxtaposition of the individual imprint of artisanship with works that deemphasise the authorship of the artist is characteristic for her approach.
Andrea Büttner was shortlisted for the Turner Prize in 2017 and honoured with several international awards. She studied visual arts at the Universität der Künste in Berlin as well as philosophy and art history at the Eberhard Karls Universität Tübingen and at Humboldt-Universität Berlin. In 2008 she was awarded her PhD from the Royal College of Art for her dissertation Perspectives on Shame and Art. Since 2017 Büttner is professor for Art in Contemporary Context at the Kunsthochschule Kassel. Her work has been the subject of numerous solo exhibitions, recently for example at Kunstmuseum Basel, K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Bergen Kunsthall, Kunst Halle Sankt Gallen, Hammer Museum Los Angeles, Staatsgalerie Stuttgart, Museum Ludwig Cologne, MMK Frankfurt am Main, Walker Art Center Minneapolis. She participated at Documenta 13 in Kassel and Kabul, at the 33rd and 29th São Paulo Biennale and at the British Art Show 8. Her work is represented in important collections including the Tate in London, the Museum of Modern Art in New York, the Lenbachhaus in Munich, the Hamburger Kunsthalle or the Reina Sofia in Madrid.
1/36
woodcut on paper
195 × 123 cm each sheet , 195 × 239 cm overall
5/7 (+1AP)
AB/D 160
2/36
Lady on Matress, 2023
woodcut on paper
178 × 124 cm
AB/D 180
3/36
woodcut on paper
112 × 178 cm /
122 × 187 (framed)
1/3
AB/D 179
4/36
143 asparagus carved from wood on table
73 × 200 × 110 cm
AB/S 6
5/36
Ceramic, 9 parts on table
80 × 281 × 198 cm
AB/S 5
6/36
woodcut on paper
each 217 × 116.5 cm (framed)
Edition 1/3
AB/D 134
7/36
woodcut on paper
128.5 × 157 cm (framed)
Edition of 3
AB/D 142
8/36
Woodcut on paper
197 × 122 cm (framed)
AB/D 135
9/36
woodcut on paper
107 × 199 cm (framed)
107 × 179 cm (framed)
AB/D 93
10/36
woodcut on paper
97 × 175 cm
AB/D 69
11/36
woodcut on paper
180 × 120 each sheet
180 × 228 cm overall
AB/D 66
12/36
woodcut
130 × 214 cm
AB/D 2
13/36
etching print on paper
195 × 112 cm
AB/D 37
14/36
woodcut on paper
150 × 128 cm
AB/D 79
15/36
woodcut on paper
132.5 × 186.5 cm (framed)
AB/D 146
16/36
woodcut on paper
120.5 × 148 cm
AB/D 47
17/36
gesso and oil on cardstock, nine parts
each 20 × 26 × 0.2 cm
61 × 79 × 2.3 cm (framed)
AB/P 19
18/36
gesso and oil on cardstock, nine parts
each 20 × 26 × 0.2 cm
61 × 79 × 2.3 cm (framed)
AB/P 22
19/36
woodcut on paper
177.5 × 146 cm (framed)
AB/D 57
20/36
woodcut on paper
155 × 140 cm
AB/D 87
21/36
woodcut print on paper,
133.5 × 182 cm (framed), AB/D 33
reverse glass painting
48 × 36 × 0.2 cm, AB/P 5
reverse glass painting
58 × 46 × 0.2 cm, AB/P 12
22/36
reverse glass painting
58 × 46 × 0.2 cm
AB/P 12
23/36
reverse glass painting
50 × 40 × 0.2 cm
AB/P 26
24/36
reverse glass painting
50 × 40 × 0.2 cm
AB/P 27
25/36
reverse glass painting
50 × 40 × 0.2 cm
AB/P 30
26/36
bronze, 46 × 120 × 74 cm
AB/S 3
woodcut print on paper
133.5 × 182 cm (framed)
AB/D 33
27/36
handwoven fabric, wood, plastic crates
102 × 200 × 40.8 cm
AB/S 1
28/36
handwoven fabric, wood, plastic crates
102 × 200 × 40.8 cm
AB/S 2
29/36
double-channel video 32:00 Min
Edition 3/6
AB/V 4
30/36
double-channel video 32:00 Min
Edition 3/6
AB/V 4
31/36
c-type print
each 63.5 × 82 cm (framed)
32/36
C-type print
40 × 60 cm
AB/F 2
33/36
C-type print
40 × 60 cm
AB/F 7
34/36
hand-blown glass vase
30 × 25 × 25 cm
AB/S 24
35/36
hand-blown glass vase
33 × 23 × 23 cm
AB/S 22
36/36
woodcut on paper
97.5 × 223 cm (paper), 108 × 233 × 5 cm (framed)
unique in this colour combination
AB/D 235
4 April 2025
Im August 2023 startete der Internationale Kunstwettbewerb Kölner Dom zum christlich-jüdischen Verhältnis heute. Nun steht der Sieger-Entwurf fest. Die Wettbewerbsjury hat einstimmig die Umsetzung eines Entwurfs der Künstlerin Andrea Büttner empfohlen. Das Domkapitel hat sich die Wahl durch einstimmigen Beschluss zu eigen gemacht und eine Detailplanung zur Umsetzung des Werkes beauftragt.
Claudia Jolles
1 July 2025
Max Glauner
2023
Ursula Scheer
3 September 2023
Philosophie der Demut: In ihren Arbeiten lotet die Künstlerin Andrea Büttner Abgründe der menschlicher Gemeinschaft aus. Das Kunstmuseum Basel widmet ihr eine sehenswerte Retrospektive.
Clifford Bruckmann
June 2023
Clifford Bruckmann zu Andrea Büttner bei Galerie Tschudi: Natürlich ist niemand mehr überrascht, wenn sich eine weitere Galerie an der Rämistrasse ansiedelt.
Cathrine Hickley
14 June 2023
The Heart of Relations is the German artist’s largest solo exhibition so far, with almost 90 works from the past 15 years.
Martina Venanzoni
2023
Eine Schau voller differenzierter Auseinandersetzungen: mit der westlichen Kunstgeschichte und dem christlichen Wertekanon, mit Machtsystemen, Konsum und Kapitalismus. Andrea Büttner liefert dabei weder simple Kritik noch ein Heilsversprechen, son- dern schafft im Kunstmuseum Basel subtile, zum (selbst-) kriti- schen Nachdenken anregende Momente
Dr. Angelika Schoder
May 2023
In der Ausstellung „Der Kern der Verhältnisse“ im Kunstmuseum
Basel breitet Andrea Büttner eine Vielzahl an künstlerischen Erzählungen zu aktuellen gesellschaftlichen Themen aus.
Hannes Nüsseler
20 April 2023
Mit einer wunderbar leichten und komplexen Schau zugleich schliesst Andrea Büttner im Kunstmuseum Basel an aktuelle Debatten an.
16 April 2023
Mit Andrea Büttner. Der Kern der Verhältnisse zeigt das Kunstmuseum Basel eine breit angelegte Ausstellung der deutschen Künstlerin. Es handelt sich um die bisher grösste Schau dieser international ausgezeichneten Künstlerin.
Andrea Büttner
11 January 2022
Anikó Ouweneel-Tóth
23 January 2022
David Khalat
13 August 2021
Juliet Kothe
13 August 2021
Juliana Halpert
23 October 2018
Julia Bryan-Wilson
2015
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